A week of drafts in your voice.

The Content Agent turns a brand pack you fill in once into a week of drafts. The agent finds the angles worth writing about and plans the week around one anchor idea. Then it writes each piece for the channel it is going to, and marks its own work against your rules before you see it. Nothing publishes until you approve it.

With Clade, who works out whether the Content Agent fits what you publish · about ten minutes · stop and come back any time.
Prefer a person from the start? Book 20 minutes with Vasu.

The week you meant to publish — an example, not your numbers
5
pieces you planned
One idea worth saying, and four ways of saying it
1
actually goes out
The one you found an hour for, on Thursday night
4
never get written
Not for want of ideas — for want of the hour
→
What lands in your review queue on Monday — an example, not yours
DRAFTEDFive pieces around one anchor idea, each written for the channel it is going to
IN VOICEAgainst the brand pack you filled in once: your words, and the words you never use
SELF-MARKEDThe agent graded its own drafts against your rules and fixed what it found
CLAIMS TAGGEDEvery claim carries the kind of evidence behind it, before a person reads a word
WAITINGSitting in a queue. Not one word of it goes out until you say so
We do not promise you a bigger audience  ·  we measure what you publish now, and what you publish after
The problem

Drafting was never the expensive part.

The expensive part is the re-reading. The voice drift you only notice at piece thirty. The claim you had to walk back a week after it went out.

Generic AI content is cheap, and it reads like it. Producing text faster fixes none of the above.

The cost is keeping fifty pieces consistent. Consistent in voice, honest about what actually ships, and clear of the claims your industry will not let you make.

What fixes that is the same rules applied every single time — which is exactly the work a person does badly and gets bored doing.

The brand pack

You fill it in once. Then it holds.

The brand pack is a form with six sections. The pack is the whole setup, and it is where your voice actually lives — not in a prompt somebody rewrites each week.

The brandWhat you sell, what you stand for, and what you refuse to say
Who it is forThe reader you are writing to, and the one you are not
How it soundsYour voice, your sentence length, and the words you never use
What it may claimThe proof rules — what you can say, and what needs evidence first
What it writes aboutThe subjects you own, and the ones that belong to somebody else
How oftenThe rhythm you want to keep, in your channels, at your pace
How it works

Six steps, and you own the last one.

Everything below runs on the pack you filled in. The agent does five of these steps. You do the sixth, and it cannot happen without you.

01

You fill in the brand pack

Once. It carries your voice, the words you never use, your rhythm and your proof rules.

02

It scouts angles

Finds what is actually worth writing about this week, rather than restating what you said last week.

03

It plans the week

Around one anchor idea, at the rhythm you asked for — not one it invented for you.

04

It drafts

Each piece in your voice, written for the channel it is going to rather than pasted across all of them.

05

It marks its own work

Against your rules, and fixes what it finds, before any of it reaches you.

06

You approve

Everything lands in a review queue. Nothing publishes on its own. There is no autopilot mode.

Clade
Wondering what a pack for your business would have to hold? Clade walks through it with you.
Talk to Clade →
Campaigns

When you have a push on.

Set a campaign — the dates, how much of the week it should take, and what it is about. It layers over your normal messaging and reverts cleanly when the window closes, so nobody has to remember what normal was.

Your core message keeps its share

A campaign can never take the whole week. Your core position holds a share of it whatever else is running, so a two-month push does not quietly become your only message.

Three campaigns, maximum

No more than three can overlap. When one ends the mix goes back to normal on its own, with nothing for anyone to undo and nothing for anyone to remember.

Clade
Running a launch and a normal week at once? Clade will tell you how that behaves.
Talk to Clade →
Typed proof

A made-up example can never come out reading like a customer.

This one is enforced, not proofread

Every claim the agent can make about you carries a tag saying what kind of evidence sits behind it: something you can demonstrate, a real client result, a made-up example, or a model.

A made-up example is structurally unable to be presented as a client outcome. Nobody has to catch it in the draft, and the agent does not have to remember the rule. The tag is built into how the claim is stored.

Who it is for

And who it is not for.

Best fit: a business that publishes regularly and has a voice worth protecting. It fits founder-led companies best, where the founder is both the voice and the bottleneck.

The buyer is usually the founder. The person whose week changes is whoever currently opens a blank page on a Thursday night.

Not for

Anyone who wants volume with nobody reading it first. There is no autopilot mode and there will not be one, so if the appeal is posting without looking, this is the wrong product. We would rather say that on the call than after.

Clade
Not sure your voice is worth protecting yet? Clade will say no if the answer is no.
Talk to Clade →
What we measure

We measure. We do not promise.

We take a reading of what you publish before the agent writes anything, so the comparison afterwards is against your own numbers rather than anybody’s claim. Here is what we count.

Drafts produced → drafts approved
How much editing each draft needs before you would put your name on it
Cost per approved piece, against what the same piece costs you now
Claims flagged before publication — not after
Weeks you published at the rhythm you asked for, before and after
Proof of practice

We run it on ourselves. It writes for the brand that built it.

What DIAMII publishes comes out of this agent, against the same brand pack a client fills in. It goes through the same review queue and waits for the same approval, from the person whose voice it is writing in.

We have no client results to show you, and we would rather say that than borrow somebody else’s numbers.

The honest test

Read what we publish, then read this page.

If the voice does not hold across both, the agent has not done its job on the one brand it knows best — and you should not buy it.

Clade
Think our own writing gives it away? Tell Clade where, and he will pass it to Vasu.
Talk to Clade →
Talk to Clade

Ten minutes to find out whether this fits what you publish.

Clade asks the questions we would ask on a call: what you publish today, what keeps slipping, who currently writes it, and whether a brand pack could actually hold your voice.

If it is not a fit, he says so. And if the thing draining your week turns out to be a workflow rather than your publishing, he passes you to Flo rather than selling you this.

C
Clade
Content intake · not the writer

What he can do: answer questions about the Content Agent, work out whether your publishing fits it, take your details, and book time with Vasu.

What he cannot do: quote you a price, promise you an audience, or guess at something he does not know.

Clade sells the Content Agent. The Content Agent writes. Two different agents, and this page keeps them apart on purpose.

Questions we get

The ones that matter.

Will it sound like AI?

The brand pack carries your voice, the words you never use, and your proof rules. Every draft is marked against those rules before it reaches you. You approve everything, so nothing you would not have written goes out.

Will it invent claims about my product?

Every claim carries a tag saying what kind of evidence sits behind it. A made-up example is stored as a made-up example, so it cannot come out reading like a customer result. The tag is built into how the claim is stored, not left to whoever proofreads the draft.

Will a campaign take over my messaging?

Your core message always keeps a share of the week, whatever else is running, and no more than three campaigns can overlap. When one ends the mix goes back to normal on its own, with nothing for anyone to undo.

Do I lose control of what goes out?

Nothing publishes without your approval. There is no autopilot mode, and that is not a setting somebody could switch on later.

Who is Clade?

Clade is the agent on this page. He works out whether the Content Agent fits what you publish, takes your details, and books the call if it does. Clade is not the Content Agent itself — one sells, the other writes.

What does it cost?

Every install is scoped to your business, so the exact number comes out of a 20-minute call.

Start here

Start with the week you meant to publish.

Twenty minutes. We will look at what you publish now, what keeps slipping, and whether a brand pack would hold your voice. Prefer a person from the start? Take twenty minutes with Vasu.

Not sure publishing is the problem

Flo — workflow assessment

If the thing draining your week is a process rather than what you publish, Flo finds the one workflow your first agent should own and writes it up as a brief you keep. Free.

Talk to Flo →